In contemporary India, the difference between history and mythology is packaging

In ‘Assi’, violence is not merely committed. It’s administratively managed through selective sight by families, institutions and even the camera...

A tightened corset, repeated dialogue, colours that discipline rather than decorate. The 2026 ‘Wuthering Heights’ reframes Catherine not as a victim...

Rahi Anil Barve’s film turns a defunct cinema hall into an architecture of control, where objects, memory and inheritance quietly train people to stay

The nicest trick ‘Sarvam Maya’ pulls is that it makes you feel slightly uneasy for a long time and then, without announcing anything, it suddenly...

A look at how cinema has engaged with Gandhi through tone, hesitation and presence

The film trusts the viewer to notice shifts without being guided toward them