The power of NO
A woman need not prove her character to a man or stoop to plead ‘not guilty’ when she knows that she comes clean. Even when in Ramayana, Sita was asked to undergo ‘agnipariksha’ the second time she took a stand and walked away, without having to prove anything. When she says ‘no’, it means ‘NO’ and men better get it straight and back off.
The bottom line of ‘Pink’ is how the society perceives a woman’s character by her clothing or late working hours. The story starts with two young men- Dumpy and Vishwa rushing to a hospital with an injured Rajveer to get him treated, while three tensed young women- Minal, Falak and Andrea return home late at night evidently after having a rough time. What follows is a strenuous battle between the two sexes to prove one another wrong. Minal was molested and despite the powerful backing her molester had, her friends decide to fight back the offenders for mistreating their brave friend.
Tapsee Pannu has perfectly succeeded in fitting into Minal’s shoes, while Amitabh Bachchan as Deepak Sehgal, the experienced lawyer with frequent mood swings, is an audio-visual treat for movie lovers. Both Andrea and Kirti Kulhari (Falak) have performed to the core of their characters. Falak’s breakdown at the courtroom is something to look forward to. The movie’s script by Ritesh Shah is brilliantly written- every time Amitabh speaks in the courtroom one cannot resist oneself from seconding him or clapping after each dialogue delivery.
The best part of the movie is neither the gripping storyline nor the marvelous acting, but the verse voiced by Bachchan which talks about how a woman needs no man’s consent to prove herself, and she should set out on a journey to discover herself rather than let others label her as ‘somebody’. Every word in that delivery may give one goosebump.
Overall, Pink is an outstanding venture and a must watch for all. DO NOT leave your seat until you have watched and heard every single scene even the closing credits. More of such films should rule the market now rather than the spicy mindless formula films. The constant attempt and reminder to the society that women are not pieces of toys might actually work out to awaken people and take up the cause of educating and ‘saving the boys’ of the family rather than protecting the girls by marrying them off at early ages or confining them within the societal rules.