In ‘Assi’, violence is not merely committed. It’s administratively managed through selective sight by families, institutions and even the camera itself

A tightened corset, repeated dialogue, colours that discipline rather than decorate. The 2026 ‘Wuthering Heights’ reframes Catherine not as a victim of force, but as someone who understands the rules of survival too well

In the race for Oscars in several categories, Ryan Coogler’s film is set in early 20th century America

Rahi Anil Barve’s film turns a defunct cinema hall into an architecture of control, where objects, memory and inheritance quietly train people to stay

The nicest trick ‘Sarvam Maya’ pulls is that it makes you feel slightly uneasy for a long time and then, without announcing anything, it suddenly doesn’t

The film trusts the viewer to notice shifts without being guided toward them

In Mohit Suri’s melancholic tapestry of love and loss, two debutants create magic where memory fades but feeling lingers, one verse at a time

Aap Jaisa Koi is a tender yet uneven film that challenges gendered double standards in love, but stumbles on its path to emotional resolution

Film: Ajogyo Director: Kaushik Ganguly Star cast: Prosenjit Chatterjee, Rituparna Sengupta, Silajit Majumdar Rating: 3 stars out of 5 Two is a...

Bratya Basu’s fifth Bengali film, ‘Hubba’ is surely the beginning of a new genre of Bengali cinema. Released jointly in two countries, India and Bangladesh on January 19, the film has raised immense excitement in the film industries of both countries. The film has been successfully running in cinema halls for the last week. It’s a must-watch film to feel the strength of the voice again in Bratya Basu’s script