"Amavas" | Scrappy and tedious fare

 8 Feb 2019 3:19 PM GMT  |  IANS

Scrappy and tedious fare

Director Bushan Patel’s Amavas will surely top the catalogue as the worst horror-action-thriller in recent times.

Set in the UK, the film begins with an expressionless Karan Ajmera (Sachiin Joshi) wanting to surprise his girlfriend Aahana (Nargis Fakhri) by taking her to an exotic location for a holiday with intention of proposing marriage.

But Aahana, after stumbling upon pictures of an abandoned castle in one of Karan’s old album, insists on visiting it. Karan is reluctant but agrees to take her there after being coaxed by his mother.

The spooky, abandoned castle, happens to be the Ajmera summer home and it has its own history.

This sets the ball rolling for a freewheeling ride of ineffective horror tropes that range from: nightmares to supernatural activities to shadow scares and jump-cuts to non-diegetic sounds of heavy footsteps, creaking doors and tolling of church bells.

The card-board thin plot meanders. The first half of the narrative is pure pain. The third act picks up momentum but gets entangled in its own convoluted logic and as such the film appears to be an unintentional comedy. Equally tedious is the denouement.

If the story is absurd and thoughtlessly crafted, the dialogues are pure garbage. On the performance front, Sachiin Joshi lacks screen presence and energy. As Karan, he is totally unimpressive.

Ali Asgar, armed with facial prosthetic, is unrecognisable. As the talkative butler Goti, he is interesting and amusing, but is wasted in a poorly crafted role.

Nargis Fakhri as Karan’s girl-friend Aahana, Mona Singh as the psychiatrist Shivani, Vivan Bhatena as Karan’s friend Sameer and Navneet Kaur Dhillon as Karan’s ex-girlfriend Maya, are all perfunctory.

Visually, the screen is plastered with dark frames to create an eerie atmosphere, but in the bargain what you get is bland darkness that robs you of all the visual delight.

The special effects are the only saving grace that offers some insanely eruptive imagery but they are lost in the dull and absurd telling. Overall, there are no squeamish moments in the film hence, it is advisable to stay indoors than to venture out to see this Amavas. 

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