Finding comfort in nostalgia
‘Dil Bekaraar’ was an opportunity for Habib Faisal to walk down memory lane and introduce the bygone era to his audience
Nostalgia for Habib Faisal is like the warmth of a cotton 'razaai' in the winter of Delhi in the pre-liberalisation period and it was this familiarity that got the writer-director hooked to the story of 'Dil Bekaraar', his new web series.
The 1980s-set family drama, which started streaming on 'Disney+ Hotstar' from November 26, is an adaptation of Anuja Chauhan's bestseller novel 'Those Pricey Thakur Girls'.
As someone who grew up in Delhi in the 1980s, Faisal said through the show he had a unique opportunity to walk down memory lane while also introducing the bygone era to his team and audience.
"When I read the book, what excited me was Delhi. I have grown up there and anything which has to do with Delhi, the space itself becomes exciting," the director told PTI in an interview over 'Zoom'.
"There is so much that is still to be explored," Faisal, who also based his 2010 directorial debut and National Award-winning film 'Do Dooni Chaar' in the capital, added.
People have always looked at the past to find comfort and security, the director, also known for 'Ishaqzaade' and 'Daawat-e-Ishq', said.
"Comfort in nostalgia is a cycle that goes on and on. My parents used to get nostalgic. Especially if you are from the north, you would relate to the feel of cotton 'razaai' (quilt) in really cold winters versus any kind of jazzy comforter that you can get post-liberalisation in India," he said.
He added, "That comfort, I guess, is what one is seeking because the future always has uncertainty and the present is what you are tackling by way of the conflict it throws up. Nostalgia always has a sense of you as a child, with your parents who were there for warmth and security, so that cycle will always go on. It is not just now that people are looking back to the 1980s. In the 1980s, people were looking back at 1960s, 1950s or 1940s and that is true world over."
Faisal, whose past work was set in the milieu of a lower middle class north Indian family, said 'Dil Bekaraar' was 'totally out of my league because these people are upper middle class'.
Described as a 'sweet and sour story of the Thakur family set in 1980s Delhi', the series stars Raj Babbar, Poonam Dhillon, Sahher Bambba and Akshay Oberoi.
"I'm a middle-class person myself, so I am always being secure and comfortable in the details of middle-class people. But in this case, these were upper middle-class people. However, the universal thing I find is that whichever class you are in, you have the economics and the demographics of that class to deal with," he admitted.
Veteran actor Babbar plays the leading breadwinner of the family who is now a retired Supreme Court judge, his daughter Debjani is an English newsreader at 'Deshdarpan', a fictitious name for the national broadcaster 'Doordarshan'.
"My first question to myself was why are we telling a story in this setting for the 2020 audience? How will they relate to it? But it is about finding an element that resonates across because basic human conflicts remain the same," said Habib.
He added, "Trying to resolve them is also still pretty much the same within the family microcosm. Modes of transport and communication have changed but otherwise relationships have the same kind of complexities as they did in the 1980s."
Another factor that drew him to the series was the field of television journalism.
"I went to Kirori Mal College in 1983 and I did my masters in 1987. Then, I was a cameraman with (television news channel) 'NDTV'. A very tempting thing about the novel was also the characters. Their professions are to do with journalism, one of them is a newsreader the other one works for a newspaper," he said.
Faisal, who also worked as a freelancer with 'Doordarshan', said he had a lot of fun reliving the golden age of Indian television before digitisation took place.
"It was like a sea of cables," he said remembering how even thespians like senior journalist and 'NDTV' co-founder Dr Prannoy Roy would often 'trip' over those wires, a detail he has used in the series.
"At that time, people kept tripping over cables because the cameras were that much bigger. Now things have got digitised, there are not so many cables. Cameras, very often, are wireless," he shared.
The director said, "I was trying to excite everybody else to come with me and stay in the 1980s. Hopefully that will be reflected on the screen."
While a lot of little details came from Faisal's personal experience, he said author Chauhan had already created a rich world in the source material.
Not just the rose in Sultan's hair, There was also a strict dress code at 'Doordarshan', Faisal said.
"They could not go sleeveless. If you pull out 'YouTube' videos, you will realise the length of the blouse is sort of going up as the times are progressing. So, you could kind of measure progression with those of the sleeve or the cut of the blouse or hairstyles," he stated.