A Malaysian takes his love for Odissi across the world

Ramli, who received the Sangeet Natak Akademi award in 2011 from the president of India, has performed his ‘Krishna Love Reinvented’ Odissi dance presentation across the world, including in the US and India.

“I have been performing in India for more than 25 years. I am based in Kuala Lumpur,” Ramli, who is <g data-gr-id="56">chairperson</g> of the Sutra dance foundation, told a media person. Ramli, a Malay Muslim, was in India to participate in the two-day international conference on <g data-gr-id="51">Asean</g>-India Cultural Links here.

He said that his pursuing Odissi and spreading the dance form is proof that <g data-gr-id="46">Asean</g>-India cultural links are continuing. “The <g data-gr-id="48">Asean</g>-India cultural links are continuing. I represent the human agency, the ground level interactive, independent efforts that contributed to the <g data-gr-id="49">Asean</g>-India cultural links,” said Ramli.

Ramli <g data-gr-id="43">learnt</g> the ancient dance form, which is highly <g data-gr-id="44">stylised</g> and marked by sensuous movements, under late Guru Debaprasad Das.

“We have established Odissi as a major dance form (in Malaysia), like Bharatnatyam. We run Odissi festivals in Malaysia,” said Ramli, who has more than 200 students learning Odissi under him.

“Due to our efforts there are more than 10 institutions teaching Odissi,” he said, adding that a majority of <g data-gr-id="58">those learning dance</g>, mostly Malaysian Tamils prefer Bharatnatyam. Now more Malaysians, Chinese and Indian-Chinese are learning Odissi, he added.

Ramli has performed at prestigious dance events, including at the Purana Quila, at Kamani auditorium and at Azad Bhavan, located at the Indian Council for Cultural Relations (ICCR).

“I have performed in over 40 cities, since 1985, with my troupe,” said Ramli, who was called to give a special performance before former prime minister Manmohan Singh during his visit to Kuala Lumpur in 2010.

“The age-old connections (between India and Southeast Asia) still continue, and one cannot underestimate the individual, independent enterprise,” said the dancer, who has also studied Bharatnatyam and contemporary dance.

“There are very strong linkages; I still go back to Odisha, and recently performed in Bhubaneshwar,” said Ramli, who is a qualified mechanical engineer and a recipient of the Fullbright Distinguished Artist Award in 1999.

And does his being a Muslim interfere in his pursuit of his passion for dance. “There is no conflict at all,” said Ramli.

The July 23-24 international conference of <g data-gr-id="37">Asean</g>-India Cultural Links, Historical and Contemporary Dimensions, was the first such meeting of artists, historians and <g data-gr-id="38">archaelogists</g>, from India and the ten-member Association of Southeast Asian Nations aimed at closer integration between the 

two sides.