A Nation's Imprint on Celluloid
Some standout films in Indian cinema have brought on screen an entirely different version of patriotism, away from jingoism and dramatisation, embedded in very mundane aspects of life - the aspects that matter no less but are often downplayed;
Every Independence Day, the tricolour finds its place in songs, speeches and streets. And while we all hum along to the national anthem or feel a lump in our throat watching school kids perform a skit on freedom fighters, there’s another powerful storyteller that has helped shape how we see patriotism: Indian cinema. For decades, Bollywood wore patriotism on its sleeve - often loud, sometimes subtle, but always emotionally stirring. From the black-and-white era of Nehruvian idealism to today’s more layered and even critical takes, filmmakers have constantly reimagined what “freedom” really means. And not all of them did it through battlefield stories. Let’s go behind the lens and meet a few of these directors who gave us more than just flag-waving. They made us think, question, remember - and sometimes, cry.
Lagaan (2001): A Revolution in Whites
Ashutosh Gowariker's Lagaan might not feature soldiers or spies; however, very few films have captured the essence of resistance and unity so well. Set in a dusty village under British rule, it is about a ragtag cricket team trying to overcome colonial injustice. It gave us patriotism in an unexpected way—a cricket match, under the subject of self-respect, courage and community. Yet its impact was not simply sporting; it allowed its audience to believe that the powerless can fight back, that freedom is a slow, obstinate game of will.
Rang De Basanti (2006): Rebellion as Responsibility
In Rang De Basanti, Rakeysh Omprakash Mehra artfully wove together the past and present with an uncommon sense of emotional intelligence. The film turned indifferent, apolitical youth into citizens who were stimulated by injustice, symbolising a turning point of generational change in reality. It helped make patriotism personal. Candlelight vigils became commonplace. Bhagat Singh's beliefs were no longer relegated to footnote history. And one line, "No country is perfect, you have to make it perfect", became a rallying cry.
Swades (2004): Coming Home to Serve
In Swades, patriotism was neither loud nor performative. It arrived gently, like a boat on a village river. Mohan Bhargava, played by Shah Rukh Khan, wasn’t fighting enemies — he was fixing light bulbs and mindsets. The film's message was simple but revolutionary: returning to your roots, solving grassroots problems, and listening to your conscience is a kind of patriotism that doesn’t seek applause.
Lakshya (2004): Purpose is Patriotic
Farhan Akhtar’s war drama was not only a tribute to Kargil; it was also a coming-of-age movie for an entire generation that was raised in post-liberalisation turmoil. Hrithik Roshan’s transformation from a drifting rich kid to a focused soldier reminds us that patriotism can also be personal growth. You don’t have to be born brave. You can grow into it.
The Legend of Bhagat Singh (2002): Ideas That Still Burn
With Ajay Devgn portraying the iconic revolutionary, this film emphasised the depth of Bhagat Singh’s philosophy. It was not simply to die for India; it was to dream of a better, fairer India. The film restored Bhagat Singh to us, not just as a martyr but as a philosopher - a young person, aware of caste, class and injustice. He wasn't looking for freedom just from the British - he was looking for freedom from ignorance, inequality and silence.
Raazi (2018): The Cost of Commitment
In Raazi, Alia Bhatt’s Sehmat is a spy who doesn’t revel in bravado. She weeps, hesitates, and bleeds - yet carries out her mission. The patriotism here is intimate and agonising. It questions the personal price of duty. Meghna Gulzar didn’t paint in black and white. She gave us emotional espionage, where enemies look like brothers, and the nation is served at tremendous personal cost.
Sardar Udham (2021): Silence as Resistance
Vicky Kaushal's finest performance took the wrenching aftermath of Jallianwala Bagh to the worldwide screen. This was a film in no rush. Director Shoojit Sircar allowed grief to linger and unfold. There was no directed heroism, no forced exploring of the path toward justice. The film did not choose dramatisation; it chose truth.
Films such as Chak De! India, Article 15 and Shershaah have broadened the lens of patriotism - from women's sports to caste equality and battlefield heroism. Each one posited a different answer to the same question: What does it mean to serve your country? In these narratives, patriotism is not about chest-thumping bravado. It is about asking the right questions, making the right choices, and taking the most difficult path.
These are not films about 'Bharat Mata' in slogans. They are about India in action - flawed, struggling, diverse, and still worthy of belief. They remind us that loving this nation could mean staying put, speaking out or quietly doing the work that no one notices. So, for this Independence Day, we should steer clear of jingoism. Let’s watch films that nudge us, not numb us. Films that make us think, cry, grow - and sometimes, cheer with tearful eyes. Because, for whatever reason, at the end of the day, perhaps empathy is the highest form of patriotism.